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House of Bamboo (Fox Film Noir) - Classic Crime Drama Movie for Film Enthusiasts | Perfect for Movie Nights & Noir Collections
House of Bamboo (Fox Film Noir) - Classic Crime Drama Movie for Film Enthusiasts | Perfect for Movie Nights & Noir Collections
House of Bamboo (Fox Film Noir) - Classic Crime Drama Movie for Film Enthusiasts | Perfect for Movie Nights & Noir Collections

House of Bamboo (Fox Film Noir) - Classic Crime Drama Movie for Film Enthusiasts | Perfect for Movie Nights & Noir Collections

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Description

Product Description In Tokyo a ruthless gang holds up U.S. ammunition trains. Ex-serviceman Eddie Spannier arrives from the States apparently at the invitation of one such unfortunate. But, Eddie isn't quite what he seems. Amazon.com Samuel Fuller came up with one of his gutsiest "headline shots" for House of Bamboo: Mount Fuji, in CinemaScope, framed between the boots of a U.S. soldier lying murdered on a snowy Japanese embankment. Happily, the movie that follows is no letdown. This brutal gangster film was the first American production to shoot in Japan, and Fuller exploits his locations to the max, up to and including a climactic gun battle around a Tokyo rooftop facsimile of the turning Earth. Officially the screenplay is credited to Harry Kleiner, with Fuller cited for "additional dialogue"; in actuality, the 20th Century-Fox movie transplants the basic premise of the Kleiner-scripted Street with No Name (1948) from an American Midwest town to Tokyo, but otherwise the picture is unmistakably Fuller's own. A gang of American expatriates is robbing U.S. military ammunition and supply trains, and using military tactics to do it. They're a ruthless bunch, killing not only any troops and police that get in the way but also their own wounded. Robert Stack has a satisfyingly dark-edged role as an American drifter who's drafted into the gang, and Robert Ryan is mesmerizing as the psychotic crimelord. The action is tough--there's a genuinely shocking killing in a bathhouse--and Fuller's canny deployment of the newly widened screen is just as forceful. It's great to have this early-CinemaScope classic in widescreen DVD. --Richard T. Jameson

Reviews

******
- Verified Buyer
"I hate it!" "Its so so." "It was great!" Sure, no great films could satisfy everybody's taste, but no other film is so controversial as Sam Fuller's HOUSE OF BAMBOO. Its a gang story. Its a melodrama. Its an action film. But was Fuller really needed to go to Japan to film all this? Could he just wrapp this thing up in the Fox studio at Hollywood? Truth is we are so grateful that Fuller went to a real location to shoot this. Because of that, the film is full of genuine dynamism due to the authenticity of cultural settings. From this film, we actually can sense fresh air of post war Japan in face to face.More importantly, ever graceful Japan is menacingly challenged by the brutal act of foreigners, in this case foreigners are the gang of ex-G.I. led by a crime lord Sandy Dawson, played by Robert Ryan. This conflict, beauty versus brutality, is heart of the cinema, and it is quite effectively presented. A strict code of honor and harshness of the manhood are sharply contrasted with the peaceful romance between Eddie Kenner, played by Robert Stack, and local girl Mariko, played by Shirley Yamaguch. This sociological contrast added considerble amount of poetic depth which is the hallmark of Fuller's major works.Moreover, wide screen color image is breathtakingly beautiful, so we cannot look away from the screen even for a second. Every scene is carefully composed and stylized. This powerful aspect of HOUSE OF BAMBOO is all doing of director Sam Fuller. He is brutal, greedy, active, and also quite romantic. Many fans would much prefer better received films such as PICKUP ON SOUTH STREET or FORTY GUNS but I prefer HOUSE OF BAMBOO to these films, because it is simply beautiful and dramatically stylish. This is the real Samuel Fuller's film.