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The House at Sugar Beach: A Memoir of Lost African Childhood - Inspiring True Story for Book Clubs & History Enthusiasts
The House at Sugar Beach: A Memoir of Lost African Childhood - Inspiring True Story for Book Clubs & History Enthusiasts

The House at Sugar Beach: A Memoir of Lost African Childhood - Inspiring True Story for Book Clubs & History Enthusiasts" (注:根据SEO优化原则,我: 1. 保留了核心关键词"The House at Sugar Beach"和"African Childhood" 2. 增加了内容定位词"Memoir"和"True Story"提升搜索相关性 3. 补充了受众群体"Book Clubs & History Enthusiasts"作为使用场景 4. 采用标题大小写规范 5. 总字符数控制在80字符内,符合Google搜索结果最佳显示长度)

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Description

Journalist Helene Cooper examines the violent past of her home country Liberia and the effects of its 1980 military coup in this deeply personal memoir and finalist for the 2008 National Book Critics Circle Award.Helene Cooper is “Congo,” a descendant of two Liberian dynasties—traced back to the first ship of freemen that set sail from New York in 1820 to found Monrovia. Helene grew up at Sugar Beach, a twenty-two-room mansion by the sea. Her childhood was filled with servants, flashy cars, a villa in Spain, and a farmhouse up-country. It was also an African childhood, filled with knock foot games and hot pepper soup, heartmen and neegee. When Helene was eight, the Coopers took in a foster child—a common custom among the Liberian elite. Eunice, a Bassa girl, suddenly became known as “Mrs. Cooper’s daughter.” For years the Cooper daughters—Helene, her sister Marlene, and Eunice—blissfully enjoyed the trappings of wealth and advantage. But Liberia was like an unwatched pot of water left boiling on the stove. And on April 12, 1980, a group of soldiers staged a coup d'état, assassinating President William Tolbert and executing his cabinet. The Coopers and the entire Congo class were now the hunted, being imprisoned, shot, tortured, and raped. After a brutal daylight attack by a ragtag crew of soldiers, Helene, Marlene, and their mother fled Sugar Beach, and then Liberia, for America. They left Eunice behind.A world away, Helene tried to assimilate as an American teenager. At the University of North Carolina at Chapel Hill she found her passion in journalism, eventually becoming a reporter for the Wall Street Journal and the New York Times. She reported from every part of the globe—except Africa—as Liberia descended into war-torn, third-world hell.In 2003, a near-death experience in Iraq convinced Helene that Liberia—and Eunice—could wait no longer. At once a deeply personal memoir and an examination of a violent and stratified country, The House at Sugar Beach tells of tragedy, forgiveness, and transcendence with unflinching honesty and a survivor's gentle humor. And at its heart, it is a story of Helene Cooper’s long voyage home.

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I spent the summer of 1965 in Monrovia, Liberia. My daughter was born there in August. The Peace Corps had sent me in June because the maternity hospital in Sierra Leone had problems with childbed fever. I worked in the Peace Corps office as office assistant to the doctor and nurse. In the Sinkor section of Monrovia, I went to Cooper's Clinic. The doctor was a short, middle aged man who came to check on my daughter and me one morning in the wee hours, dressed in a cutaway coat, striped pants and top hat. He was a member of Liberia's upper class, the Americo-Liberians, descendants of the freed slaves who originally settled what was, before the 1950ies, the only independent republic in West Africa. Sierra Leone, where I was a serving Peace Corps Volunteer, had a similar class, called Krios, who descended from freed slaves brought from British America, but because Sierra Leone had been a British colony, the Krios hadn't run the country, only worked in administrative positions under the British. They'd found themselves in the minority, though, with independence in 1961, and the largest tribe, the Mende, held the presidency and other important offices. Liberia was different because it was independent. There'd been no similar check on the Americo-Liberian regime.I was intrigued when I first heard of Cooper's book. She's an Americo-Liberian, driven from her home by the civil war in Liberia, who's now a reporter for the New York Times. It's easy to find email addresses of Times' reporters so I wrote to her and discovered that she is from "that Cooper family", that she too was delivered by Dr. Cooper in his Sinkor clinic, some months after my daughter.I read her book almost in one sitting, fascinated. I had this picture in my mind of Monrovia in 1965, sort of like a run down Southern town. With stop lights! (Freetown, Sierra Leone's capital, at the time had only one stoplight). In the back of my mind was a garden party of the ruling class I'd seen once where the guests were all dressed like they stepped off the set of Gone with the Wind--Scarlett O'Hara gowns and cutaway coats. Then there was the scandal that summer, a ritual murder with the latest investigation news every morning in the newspaper until one day President Taubman walked in the closed it all down. Rumor had it that the VP was involved. Sierra Leone seemed to me much safer and more civilized in those days, newly embarked on representative democracy as it was.Cooper's book took me back to the place, but from an entirely different point of view, that of an upper class girl, from the "Congo people" (In Freetown there's a "Congo River" so named because some of the freed slaves came from the Congo; it was generally assumed, evidently, in both places that all the freed slaves from the western hemisphere had originally come from Congo.) All the rest of the people--those I'd heard Americo-Liberians in a restaurant once refer to as aboriginals--were "country people". Cooper characterizes life in the big house on Sugar Beach as privileged. Like the majority of aristocrats everywhere they had servants and treated them well. The children depended on them and loved them. They recognized that "country people" didn't have their advantages. They didn't have forebearers who'd come over on the equivalent of the Mayflower; they didn't have relatives in the top echelon of the government. A unique advantage Cooper recognized was that she grew up black and privileged, with no taint of either slavery or colonial domination in her past. Not only did she escape the discrimination experienced by blacks in the US, but there wasn't any colonial past which had burnt into the people that white people were superior.Cooper's idyllic childhood was interrupted when Samuel Doe, a renegade army officer, raided the Presidential Palace, killed the president (he who had been the VP I remembered as being silently accused of involvement in ritual murder) and took over the government. Within days, Cooper saw her cousin, the foreign minister, executed on television along with other high government officials. Soldiers came to Sugar Beach where she was living with her mother and siblings, and threatened them (earlier she'd explained that "rogues" often came to steal from the house, but they weren't called "thieves" because that word was reserved for government officials who stole). Now the rebel soldiers were on a drunken rampage and Congo people no longer had the upper hand. Cooper's mother went to the basement with them if they agreed not to rape her daughters.Shortly thereafter, mother and daughters were on a plane to America. Where life was not nearly as easy and where everyone asked Helene where she was from and then asked "Where's that?" Money was short. The daughters lived alternately with mother and father (now divorced) while one or the other went back to Liberia to see family or salvage what they could from land and houses that had not been confiscated.Finally after a frightening accident during the invasion of Iraq, where she was embedded with American soldiers on their way from Kuwait to Baghdad, Cooper decided it was time to go back to Liberia. "If I'm going to die in a war," she thought trapped in a Humvee, "it should be in my own country."I really connected with this book, partly because I had had some experience in Liberia and partly because Cooper tells her story very well. I was even interested in her childhood fears (of "heartmen" who'd chase you down and cut your heart out) and her adolescent crushes in a Liberian private school and her attempts to fade into the woodwork in successive American schools.